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Wave para protools 12
Wave para protools 12









wave para protools 12
  1. #Wave para protools 12 how to#
  2. #Wave para protools 12 pro#

Trim will also work on an audio clip’s fades and crossfades. This is helpful when removing extra noise before, after, and in between sections of audio. You’ll typically use this when removing the beginnings or ends of clips. Trim tool: Use the Trim Tool to shorten or lengthen an audio clip.

#Wave para protools 12 pro#

Depending on what you use Pro Tools for, some of the editing tools may be more preferable than others. Knowing how and when to use each tool is beneficial to your workflow and editing skills.

wave para protools 12

Pro Tools offers a few methods for editing audio. This mode is handy when you know precisely where a clip must start or end.

  • Spot: With Spot mode, clicking a clip prompts you to enter the exact start or end time (depending on your Main Counter).
  • Remove the clip, and the surrounding clips will shrink back together. That means you can move a clip in between two other clips, and those clips will sandwich around the moving clip.
  • Shuffle: In Shuffle mode, all clips will condense to the left.
  • While editing, hold the ⌘ key to engage Slip mode temporarily. When used with a Bars & Beats Time Scale, clips will latch onto beats and sub-beats.
  • Grid: When moved, clips will latch onto the closest grid position.
  • Use this method when moving clips to exact positions.
  • Slip: Clips move freely and do not latch onto the grid.
  • Ultimately, it’s up to you to determine what works best for the session. Consider each of the four edit modes (below), and don’t hesitate to try a different one if it benefits your workflow. Depending on the particular session, some modes may be more valuable than others. Slip is the most common (and default) mode, but Grid is beneficial when clips need to snap to bars and beats.

    wave para protools 12

    While the Main Counter determines the Grid’s ruler, four available Edit modes determine how clips behave in the Edit window. Now the Grid will sync with the bars & beats, but you can still see the timestamp in the Sub Counter.Ĭhanging the scale and counter types. Using Bars|Beats for the Main Counter and Min:Secs for the Sub Counter is reliable for many users. The Grid’s ruler is based on your Main Counter type. To make the Grid appear/hide, click the Grid button to the right of the time counter(s). Click Show Sub Counter and select the Sub Counter type for an additional counter type below the Main Counter.Click the Main Counter Selector and choose the Main Counter type.The Grid will reflect the Main Counter type, but you can view two simultaneously by selecting a second Sub Counter, too. If a click track is not being used, then Min:Secs will work just fine, but it’s you who will determine what works best in a given session. The Main Counter type determines the Edit window’s Grid, so if you are using a click track or metronome, Bars|Beats will likely be your choice. Change main counter and Grid rulerīefore editing audio clips, consider whether you should edit the session with a ruler measure in either bars and beats or minutes and seconds. Consider these when creating a Pro Tools session, but being able to change the Edit window’s settings on the fly can help get your work done faster. The window can be set up to accommodate different editing styles like bars and beats (tempo-based) or minutes and seconds (free flow). In Pro Tools, the Edit window ( Window > Edit) is where you view and edit your tracks & clips. If you’re a beginner you’ll learn the basics, but if you need to or haven’t done so yet, visit our guides for creating a session, creating tracks, and recording audio.

    #Wave para protools 12 how to#

    In this article, we will show you how to edit audio in Pro Tools.











    Wave para protools 12